Then Comes Silence signs with Oblivion/SPV

- New Album Machine announced for 13 March 2020.

- First Single We Lose The Night on 10 January 2020.
Stockholm gothic rock/post punk act Then Comes Silence, one of the currently most important bands of their genre, have signed with SPV/Oblivion. The arrival of the new studio album Machine has been announced for 13 March 2020, with the lead single We Lose The Night to be available on 10 January 2020 for digital download/streaming and more singles to follow.
Soon after the album release, the band surrounding vocalist/bassist Alex Svenson is also scheduled to embark on an extensive tour, including a number of festival shows, among them the M'era Luna in August 2020.

At the same time, Then Comes Silence are ready to introduce their new line-up. Along with Svenson and drummer Jonas Fransson, guitarists Mattias Ruejas Jonson and Hugo Zombie complete the band. Jonson used to play with A Projection, Zombie toured as a guest/temporary musician of Then Comes Silence with Fields Of The Nephilim, and was a member of Spanish group Los Carniceros del Norte.
Svenson on the recording deal with SPV/Oblivion: “As a band, you need partners who firmly believe in you. After Oblivion A&R manager Gero Herrde had come to see our show at the New Waves Day in May 2019, we knew that we’d be in good hands with him and his label.”

Herrde is also extremely happy with his latest signing: “We’ve been following the positive development of Then Comes Silence with great interest for years and are delighted that they will release their new album Machine on SPV/Oblivion next March.”
www.spv.de

 

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A Message from Metropolis Records

"We are thrilled to welcome Swedish dark post-punk act Then Comes Silence to the Metropolis roster. We will be releasing the new album in 2020!"

The legendary Metropolis Records will release the new Then Comes Silence Album in North America. Stay tuned!

www.metropolis-records.com

 

Death is a faithful muse. It‘s certain, reliable, absolute – in short: it‘s everything all the other muses are not. Creativity and inspiration are fickle friends, lost between sweaty sheets or at the bottom of too many bottles. In the face of death, however, the gods of inspiration are in top form all of a sudden, rushing onward with all guns blazing, torching every synapse they can find. Swedish post punk goth rockers Then Comes Silence are very well aware of that never ebbing source. It may be the last threshold, the ultimate border between this life and whatever comes next. For gothic connoisseurs Then Comes Silence, it‘s a powerful force goading them on and on.

Back in 2017, this obsession with all things fatal lead to "Blood“, a massively morbid, darkly throbbing indulgence uniting the best of apocalyptic post punk and foggy goth rock. A deadly, strangely intoxicating cocktail, released by global player Nuclear Blast. “All that was remarkable”, founder Alex Svenson recalls. “When we signed with Nuclear Blast we suddenly got a lot more to do as a band. You think it's going to be less complicated with a bigger label, but it's not.” In other words: The career boost came at a price. Then Comes Silence evaluated their situation carefully, lost some members, gained two remarkable additions to their ranks, namely Mattias Ruejas Jonson and a gentleman aptly called Hugo Zombie. Trapped on a one way road, they dissected their own catalog, spawning a full four records since their self-titled debut in 2012, re-assembled their sound, rehearsed their butts off, played live as much as never before. “We re-booted the band”, Alex describes it. “The new line-up of Then Comes Silence took the shape of a rock band, more than ever before.”

Their huge new album “Machine” is a reflection of that: More rock, more death, more unhealthy obsessions with all things dark and sinister. “I wanted to take a different turn away from the path and not make just another ‘Blood’.” Alex took the matter gravely serious and even helmed it as producer. “In 2016 we sprinkled the recordings with cash and had no idea how to calculate the cost”, he honestly recalls. “We had a generous budget for a small band and no experience how to use it. We believed we could lean back and take the ride. The hangover came later.”

“Machine” was a very painful album to write, in many ways a return to their humble beginnings as a Swedish underground phenomenon. The gripping beats, the eerily cold melodies, the wintry guitars and those ghostly hooks prove it was all worth it – even the “lost album” written by Alex before even starting on “Machine”. It all lead to this point. It all lead to seductive, gloomy anthems like “We Lose The Night”, “Dark End” or “Kill It”. Mixed by legend Stefan Glaumann (Rammstein, Deathstars, Killing Joke), Then Comes Silence come full circle and finally sound like they ever wanted to – “like ice cold water running through a pipe of stainless steel on a November morning.” Hearts will be melted. Blood will freeze.

Jointly waving the flags of post-punk and goth, Alex regards Then Comes Silence as a rock’n’roll band for the darker side of things. “There will not be any new Bowies, McCartneys, Ramones or Lemmys for a long time. Not in this contemporary pop cultural world we are working in”, he says. “We have to be the Rhinemaidens guarding the Rheingold. Become the guardians of the holy grail until the day the new rock prophets are born.”

The grim reaper would approve. Totally. After “Blood”, predominantly written to cope with the death of Alex’s father, the end of all things comes in an altogether new, fiendishly alluring shape. “There’s absolutely no meaning in rebelling against death”, he shrugs. “Even though death is bringing grief and pain to the ones left behind, we have to accept the fact it’s everyone’s final destination. Its’ supposed to be that way. Deal with it. We’re all going there.” Once you start dealing with it, Alex is pretty sure, it will reflect positively on life in general. “If we talk about death, sing about death and think about death regularly we might feel better and appreciate everything around us more. Maybe we could reach a higher quality inside. I think about death everyday and that makes me a nicer person I’m sure.” Death, the ultimate muse.

-Björn Springorum.

 

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NEW SINGLE: WARM LIKE BLOOD

Then Comes Silence have released the forth single off of the band's new, fourth full-length studio album, entitled »Blood«.

»Blood« was released on October 20, 2017 worldwide via Nuclear Blast.

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